What is another word for quick-tempered?

Pronunciation: [kwˈɪktˈɛmpəd] (IPA)

Quick-tempered is a term used to describe someone who easily gets irritated or angry. There are many synonyms for this word, including hot-headed, irritable, short-fused, and volatile. Other synonyms include impatient, impulsive, snappy, and easily agitated. A person who is quick-tempered tends to become angry quickly and often cannot control their emotions. They may exhibit sudden outbursts of anger, which can be triggered by any small annoyance. Some other terms that can be used to describe a quick-tempered person include hothead, live wire, and firebrand. To avoid triggering the quick-tempered person, it is best to remain calm and avoid any behavior that could cause unnecessary irritation.

Synonyms for Quick-tempered:

What are the hypernyms for Quick-tempered?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for quick-tempered?

Quick-tempered is a common adjective used to describe someone who has a tendency to get angry or lose their temper easily. However, there are a number of antonyms that can be used to describe people who are more patient, calm, and even-tempered. Some of these opposites include patient, calm, relaxed, unflappable, composed, easy-going, level-headed, serene, and tranquil. These words describe individuals who are able to manage their emotions and keep their cool in stressful situations. By focusing on these antonyms, we can encourage people to develop better emotional regulation skills and to promote more harmonious relationships with others.

What are the antonyms for Quick-tempered?

Famous quotes with Quick-tempered

  • I regard the as one of the world's masterpieces. Its character-drawing, its deep and rich humanity, its perfect finish of style and its story entitle it to that. Its characters live, more real and more familiar to us than our living friends, and each speaks an accent which we can recognize. Above all, it has what we call a great story: a fabulously beautiful Chinese house-garden; a great official family, with four daughters and a son growing up and some beautiful female cousins of the same age, living a life of continual raillery and bantering laughter; a number of extremely charming and clever maid-servants, some of the plotting, intriguing type and some quick-tempered but true, and some secretly in love with the master; a few faithless servants' wives involved in little family jealousies and scandals; a father for ever absent from home on official service and two or three daughters-in-law managing the complicated routine of the whole household with order and precision [...]; the "hero," Paoyü, a boy in puberty, with a fair intelligence and a great love of female company, sent, as we are made to understand, by God to go through this phantasmagoria of love and suffering, overprotected like the sole heir of all great families in China, doted on by his grandmother, the highest authority of the household, but extremely afraid of his father, completely admired by all his female cousins and catered for by his maid-servants, who attended to his bath and sat in watch over him at night; his love for Taiyü, his orphan cousin staying in their house, who was suffering from consumption [...], easily outshining the rest in beauty and poetry, but a little too clever to be happy like the more stupid ones, opening her love to Paoyü with the purity and intensity of a young maiden's heart; another female cousin, Paots'a, also in love with Paoyü, but plumper and more practical-minded and considered a better wife by the elders; the final deception, arrangements for the wedding to Paots'a by the mothers without Paoyü's or Taiyü's knowledge, Taiyü not hearing of it until shortly before the wedding, which made her laugh hysterically and sent her to her death, and Paoyü not hearing of it till the wedding night; Paoyü's discovery of the deception by his own parents, his becoming half-idiotic and losing his mind, and finally his becoming a monk. All of this is depicted against the rise and fall of a great family, the crescendo of piling family misfortunes extending over the last third of the story, taking one's breath away like the .
    Cao Xueqin

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